His artistic practice revolves around painting and multi-sensory installations. His works are mostly narrative in expression. They reflect and address the socioeconomic and cultural realities of our time. He often addresses subaltern histories. His work at times attempts a re-reading of known visuals in a contemporary social context. The existence of multiple realities coerces us to question mundane activities; thus, his works reconstruct time and space through the imaginative. The viewer confronts reality through unreal situations. Taking references from the popular and mundane He tries to re-establish facts through personal fantasies, myths, and narratives. He believes narrative and representational works in general have the potential to make a viewer introspect about their own situations and makes them more conscious of their actions. He believes that through ironic and satirical imagery, his works can create a cathartic effect on the viewer. In his recent body of light installations, the basic idea was to play with multiple yet connected narratives. Here the chosen motifs reconstruct multiple yet connected narratives through the forms on the chosen surface. The interplay of calculated imagery emerges at an interval, representing a chosen theme. Ideas of lost heritage and icons/ images of social change /notion of motherland etc. have been explored in the past. These works give me an experimental opportunity where the visible image actually becomes a part of abstraction. He is fascinated by the non-physicality of light. Little abstract shadows create concrete representational images which are tangible yet intangible, real yet unreal at the same time. The changing themes in the paintings transport the viewer from one-time frame to the next, overlapping fantasy and reality at times. Through his paintings, he tries to visually weave different aspects of the space. He delves into and documents the socio-economic-cultural conditions through which society functions over there.